HENRYK SZERYNG
  THE MUSIC OF FRITZ KREISLER
  TREASURES OF THE VIOLIN

Last Updated: 2003/10/26
Administrator: Binwa


A TRIBUTE TO FRITZ KREISLER

      Fritz kreisler ranks with Niccolò Paganini as one of the greatest violinists the world has ever known. Like Paganini, He composed prolifically for his instrument, but while the Italian enjoyed developing a melody in variations that were brilliant and fiendishly difficult, Kreisker avoided virtuosity for it own sake. His "transcriptions" and his original compositions express the charm and genius of a remarkable musical personality. Infinite rewards may be derived from exploring the great beauties of Kreisler's music.

     To each of his compositions, Kreisler brought a combination of unique sensitivity and a fresh, Personal approach to violin playing. While Kreisler's interpretations of Bach, Beethoven, Mozart, Mendelssohn, Schumann, and Brahms will stand forever supreme, the greatness he gave to short musical works was always a revelation. His bowing had an endless variety of nuances, in the softest melodies as in passages of explosive force; no noise came from the contact of bow with strings save that of a tone of miraculous purity and carrying power. Beauty of phrasing and rhythmic intensity were present in all tempi. Kreisler's left hand produced the most beautiful vibrato I have ever heard, making it possible for him to achieve all the colors he desired. In melodic passages, shifts of the hand were accomplished
with the utmost artistry and delicacy. double stop and trills were played with such clarity that Kreisler used them freely as sonorous accompaniment for thematic material. But, above all, Kreisker played with simplicity and compelling sincerity.

     As a man, Kreisler combined the qualities of a scholar and poet. His private library was one of the finest in the world. He was intimately familiar with the writings of poets and philosophers of the East and the West. He could read in many languages, ancient and modern. And, unlike most of his fellow musicians, He was passionately interested in science. Yet Kreisler was a simple man, generous and cheerful; he had the rare gift of being happy and making other people happy; and his charm was extraordinary, the Viennese charm of his berth, ever present in his playing and in his compositions, a charm that held millions of people around the world in its spell.

     Such was the great Kreisler. Be it a dance, a cadenza , a meditation, or a prayer, we shall always be inspired by his musical legacy.

Henryk Szeryng

* Liner note of Mercury 434 351-2


 


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